![]() The first Terminator falls into the mediocre category- it’s all about looks, and you cringe when you read it. Let’s go over a few female character examples.įirst, let’s look at the way Sarah Connor is described in the first two Terminator movies. So when you’re crafting a female role, you want a great description that doesn’t rely on lazy or outdated stand-ins. This is their first chance to see who they’re playing. And if the right ones want to be in your movie, then your movie might get made. When you’re writing, you want actors and actresses to WANT to be in your movie. There’s even a Twitter handle dedicated to exposing the worst versions of this. ![]() We’ve all read the words “broken but beautiful” and cringed. ![]() Female Character Description ExamplesĪ hot-button issue inside Hollywood right now is how women are described on the page in screenplays. Now that we’ve seen a few male characters described when the first show up, let’s jump into some female examples and see how we can all be better and describing female characters. Not with fear, but a salute, so we know he is probably a pirate and respects other pirates. We see him react to the bodies of dead pirates. We learn right away that Jack has a sense of humor.and false grandeur. I love character descriptions that reveal new details about the character and begin on conflict. I can see Jonathan Demme wanting to show Lecter waiting for Clarice, and if you notice, a lot of these details are in the background. Now, if you remember the movie, this was all changed. Though it does a great job of setting a specific scene. This is a good character description, but it’s a bit long winded. He rises smoothly, crossing to stand before her the gracious host. He turns, considers her… A face so long out of the sun, it seems almost leached – except for the glittering eyes, and the wet red mouth. HANNIBAL LECTER is lounging on his bunk, in white pajamas, reading an Italian Vogue. On the walls, extraordinarily detailed, skillful drawings, mostly European cityscapes, in charcoal or crayon.ĭR. Is coming slowly INTO VIEW… Behind its barred front wall is a second barrier of stout nylon net… Sparse, bolted-down furniture, many soft cover books and papers. Let’s learn how to write a character description by checking out Ted Tally’s screenplay for Silence Of The Lambs, which contains a nicely detailed take. The Dude is a pretty chill guy, but what about character descriptions from someone a little more sinister? These are all details that the various departments like costuming and props can utilize when they’re creating the world. But choosing to note that his "casualness runs deep" conjures a clear mental picture rather eloquently.Īnd check out how this translated to the screen. There are a lot of ways to communicate who The Dude is. We learn just enough to understand his demeanor, and introducing him by the dairy counter sets up his love of white Russians. We get a wonderful scene setting of the grocery store and then go right to the core of The Dude. What’s great about this character introduction is the economy shown on the page. His rumpled look and relaxed manner suggest a man in whom casualness runs deep. We are tracking in on a fortyish man in Bermuda shorts and sunglasses at the dairy case. It is late, the supermarket all but deserted. Our first one comes from The Big Lebowski. That’s a delicate balance, so let’s look at some great examples. Most of the time, you’re meeting your characters in act one, but it’s great to master character introductions so you can set the scene in any act.Īlso, most formatting books will tell you that the first time we meet a character, we should CAPITALIZE their entire name. So when describing your character you need to give us an accurate mental image of the person, while also not taking us out of the story. Screenwriting is all about "economy on the page". how do you do this well, without wasting a lot of time? What Do You Need to Cover? But the best versions of this get the point across, without being too elaborate. There are funny descriptions, sad ones, and even action-packed, amazing descriptions. Writers have to imagine who these characters are, and then actors and directors help those people come to life. ![]() ![]() When you first meet a character in a screenplay, a brief description tells the reader how they should picture that person in their mind.įilm and television are visual mediums, but they always start on a blank screenplay page. Today we’re going to go over what makes some character introductions better than others, and how you can write the best descriptions for your screenplay. It could be the difference between a sale or a pass. How you introduce a character on the page will have a huge effect on how the reader experiences the script. Great character descriptions are a crucial part of any screenplay, and a meaningful way to get your leads to stick out. ![]()
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